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	<title>Comments for SusanEisenhower.com</title>
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	<link>http://susaneisenhower.com</link>
	<description>The Official Website of Susan Eisenhower</description>
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		<title>Comment on The Eisenhower Memorial: Moving Forward by lucy blankstein</title>
		<link>http://susaneisenhower.com/2012/01/23/the-eisenhower-memorial-moving-forward-3/#comment-391</link>
		<dc:creator><![CDATA[lucy blankstein]]></dc:creator>
		<pubDate>Thu, 17 May 2012 13:23:07 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=526#comment-391</guid>
		<description><![CDATA[In choosing a monument, we have to consider the spirit of the person that is being honored as well as respect the site and its surroundings.  The outstanding monuments in Washington, DC, where monuments are integral in the city plan, are the waves of white tombstones in Arlington Cemetery, the Lincoln Memorial, the Jefferson Memorial, the Vietnam Wall and the Korean Memorial.  Each contains an essence that is simple, yet crucial to imparting a visceral feeling for those who have served us.  

But I don’t see how steel tapestries, or bulwarks, or depictions of Eisenhower&#039;s boyhood accomplish this. Would we have Lincoln splitting rails!  What is it that could make this work?   During World War II, I saw the newsreels that brought the relief and exhilaration of success in defeating our enemies.  

The pictures in my mind are of the rubble, and what it must have been like for General Eisenhower to command soldiers through this mire and then return to lead this country, still democratic and free.  Instead of the planned cold steel of enclosing walls whose materials recall the instruments of war, I would choose materials of stone.  Gravel and rock on swelling ground better expresses distances walked by our soldiers, rubble, Normandy dunes, and even with a little imagination, the Eisenhower farm.  Some life-size bronze statues that lead us through a grove of trees to a quiet place might assist in the contemplation of the magnitude of Eisenhower’s accomplishments.

The most significant quality needed in this monument is the experience of freedom.  We do not need to hear the sound of his speeches that are available on the internet.  Too often, the new media approach tells us what we should think.  Instead, Eisenhower is better embodied in a space that offers the public the peace and dignity of silent discovery and the freedom of thought.  

Lucy J. Blankstein
Washington, DC]]></description>
		<content:encoded><![CDATA[<p>In choosing a monument, we have to consider the spirit of the person that is being honored as well as respect the site and its surroundings.  The outstanding monuments in Washington, DC, where monuments are integral in the city plan, are the waves of white tombstones in Arlington Cemetery, the Lincoln Memorial, the Jefferson Memorial, the Vietnam Wall and the Korean Memorial.  Each contains an essence that is simple, yet crucial to imparting a visceral feeling for those who have served us.  </p>
<p>But I don’t see how steel tapestries, or bulwarks, or depictions of Eisenhower&#8217;s boyhood accomplish this. Would we have Lincoln splitting rails!  What is it that could make this work?   During World War II, I saw the newsreels that brought the relief and exhilaration of success in defeating our enemies.  </p>
<p>The pictures in my mind are of the rubble, and what it must have been like for General Eisenhower to command soldiers through this mire and then return to lead this country, still democratic and free.  Instead of the planned cold steel of enclosing walls whose materials recall the instruments of war, I would choose materials of stone.  Gravel and rock on swelling ground better expresses distances walked by our soldiers, rubble, Normandy dunes, and even with a little imagination, the Eisenhower farm.  Some life-size bronze statues that lead us through a grove of trees to a quiet place might assist in the contemplation of the magnitude of Eisenhower’s accomplishments.</p>
<p>The most significant quality needed in this monument is the experience of freedom.  We do not need to hear the sound of his speeches that are available on the internet.  Too often, the new media approach tells us what we should think.  Instead, Eisenhower is better embodied in a space that offers the public the peace and dignity of silent discovery and the freedom of thought.  </p>
<p>Lucy J. Blankstein<br />
Washington, DC</p>
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		<title>Comment on The Eisenhower Memorial: The Crucial Weeks by Claudia Vess, artist</title>
		<link>http://susaneisenhower.com/2012/05/11/the-eisenhower-memorial-the-crucial-weeks/#comment-390</link>
		<dc:creator><![CDATA[Claudia Vess, artist]]></dc:creator>
		<pubDate>Wed, 16 May 2012 17:59:14 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=707#comment-390</guid>
		<description><![CDATA[The latest Gehry design does not change the fundamental problem of the proposed Eisenhower monument:  the iron curtain which encloses.  Eisenhower stands for Democracy and Freedom won anew with the victory of WWII and heralded by an era of opportunity (education) and expansiveness.  Walling off an &quot;interior&quot; monument space is antithetical to these ideals.  An open space that gives a sense of being free rather than a circumscribed space is crucial.  Wonderful statues, and quotations if warranted by the design , can be better incorporated into the site than on heavy plinths top-heavy with inscriptions.   Vistas characterize the L&#039;Enfant plan, not walls.   

The most difficult part of creation is giving up part of a design that is deep in the artist&#039;s heart, but if it is not working in the unique place where it will be sited, it must be used somewhere else.  Gehry is a creative architect  He can revision this monument for this site.  Hopefully, he is a great enough architect to take on this challenge.]]></description>
		<content:encoded><![CDATA[<p>The latest Gehry design does not change the fundamental problem of the proposed Eisenhower monument:  the iron curtain which encloses.  Eisenhower stands for Democracy and Freedom won anew with the victory of WWII and heralded by an era of opportunity (education) and expansiveness.  Walling off an &#8220;interior&#8221; monument space is antithetical to these ideals.  An open space that gives a sense of being free rather than a circumscribed space is crucial.  Wonderful statues, and quotations if warranted by the design , can be better incorporated into the site than on heavy plinths top-heavy with inscriptions.   Vistas characterize the L&#8217;Enfant plan, not walls.   </p>
<p>The most difficult part of creation is giving up part of a design that is deep in the artist&#8217;s heart, but if it is not working in the unique place where it will be sited, it must be used somewhere else.  Gehry is a creative architect  He can revision this monument for this site.  Hopefully, he is a great enough architect to take on this challenge.</p>
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		<title>Comment on The Eisenhower Memorial: The Crucial Weeks by Richard J. Bono</title>
		<link>http://susaneisenhower.com/2012/05/11/the-eisenhower-memorial-the-crucial-weeks/#comment-388</link>
		<dc:creator><![CDATA[Richard J. Bono]]></dc:creator>
		<pubDate>Fri, 11 May 2012 15:44:03 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=707#comment-388</guid>
		<description><![CDATA[This reflects the state of flux of the whole art and architecture world these days. Our greatest artists, like the late Frederick Hart, are treated as equal in skill and status, with the less gifted. This could become a learning moment for the art community, but it remains to be seen. My family knew the last person to receive a Pulitzer for art. After Iris Guarducci&#039;s award, more than two generations ago, it was felt there was too much disagreement over what art was. So the award was discontinued. Things seem not have changed much.

The process is flawed, and as Leon Krier has graphically demonstrated, the problem begins with the grandiose scale of the site itself.]]></description>
		<content:encoded><![CDATA[<p>This reflects the state of flux of the whole art and architecture world these days. Our greatest artists, like the late Frederick Hart, are treated as equal in skill and status, with the less gifted. This could become a learning moment for the art community, but it remains to be seen. My family knew the last person to receive a Pulitzer for art. After Iris Guarducci&#8217;s award, more than two generations ago, it was felt there was too much disagreement over what art was. So the award was discontinued. Things seem not have changed much.</p>
<p>The process is flawed, and as Leon Krier has graphically demonstrated, the problem begins with the grandiose scale of the site itself.</p>
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		<title>Comment on The Eisenhower Memorial: Another Front in the Culture Wars? by Eugene Stevens, SFC, U.S. Army (retired)</title>
		<link>http://susaneisenhower.com/2012/01/24/the-eisenhower-memorial-another-front-in-the-culture-wars/#comment-379</link>
		<dc:creator><![CDATA[Eugene Stevens, SFC, U.S. Army (retired)]]></dc:creator>
		<pubDate>Tue, 24 Apr 2012 14:54:53 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=390#comment-379</guid>
		<description><![CDATA[A bell tower?  That has a nice ring to it (no pun intended).  It would be something not done before in the Mall, but would complement rather than overwhelm the surrounding architecture.  A visual monument that would also be an audio monument.  Short of an actual statue of Eisenhower (and there&#039;s no reason there couldn&#039;t be a statue in front of the bell tower), it would seem a tasteful solution.  And the ground floor of the bell tower could have a small audio-visual presentation of Eisenhower&#039;s accomplishments.  I like the idea.  It would definitely be better than the present design.]]></description>
		<content:encoded><![CDATA[<p>A bell tower?  That has a nice ring to it (no pun intended).  It would be something not done before in the Mall, but would complement rather than overwhelm the surrounding architecture.  A visual monument that would also be an audio monument.  Short of an actual statue of Eisenhower (and there&#8217;s no reason there couldn&#8217;t be a statue in front of the bell tower), it would seem a tasteful solution.  And the ground floor of the bell tower could have a small audio-visual presentation of Eisenhower&#8217;s accomplishments.  I like the idea.  It would definitely be better than the present design.</p>
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		<title>Comment on What I Said About the Eisenhower Memorial Design by Kevin Lewis</title>
		<link>http://susaneisenhower.com/2012/04/13/what-i-said-about-the-eisenhower-memorial-design/#comment-377</link>
		<dc:creator><![CDATA[Kevin Lewis]]></dc:creator>
		<pubDate>Sat, 21 Apr 2012 23:20:20 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=699#comment-377</guid>
		<description><![CDATA[I am disgusted with the official decision to accept the Frank Gehry design -- I refuse to write Eisenhower Memorial because it is not a memorial to Eisenhower but a monument to Gehry&#039;s hubris. Gehry&#039;s eccentric buildings have structural flaws and perhaps time and a bulldozer will erode his overrated reputation. He is the architect of the moment, fueled by a publicity machine and status-seeking talk show hosts.]]></description>
		<content:encoded><![CDATA[<p>I am disgusted with the official decision to accept the Frank Gehry design &#8212; I refuse to write Eisenhower Memorial because it is not a memorial to Eisenhower but a monument to Gehry&#8217;s hubris. Gehry&#8217;s eccentric buildings have structural flaws and perhaps time and a bulldozer will erode his overrated reputation. He is the architect of the moment, fueled by a publicity machine and status-seeking talk show hosts.</p>
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		<title>Comment on The Eisenhower Memorial: Another Front in the Culture Wars? by Phillip Alotta</title>
		<link>http://susaneisenhower.com/2012/01/24/the-eisenhower-memorial-another-front-in-the-culture-wars/#comment-366</link>
		<dc:creator><![CDATA[Phillip Alotta]]></dc:creator>
		<pubDate>Tue, 17 Apr 2012 20:50:48 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=390#comment-366</guid>
		<description><![CDATA[The Gehry Memorial seems an affront; a lordly arrogance. Dwight D. Eisenhower, from everything I read about him would not have tolerated such “hoi palloi”. Equally disagreeable would be a tribute unadorned with those elements that distinguishes “Ike’s” character and career. 

As my Face Book posts for several years now will attest, my admiration for Susan Eisenhower is not circumspect; and may well be boundless; however, I do not agree with the concept of campanile bell tower ( albeit the symbolism and the purpose are understandable). 

A man of towering strength and steadfast logic and purpose,  President Eisenhower was no St Francis of Assisi, nor perhaps even religious in the conventional sense. His sonorous voice announcing the Normandy invasion, inspiring and disseminating hope is more rhapsodic than any tone emanating from such a contrivance. 
No architect I, nor urban planner, but I am impassioned on this issue. There is some contentiousness here, to be sure. Susan’s comments cite perhaps the most incredible of achievements of Dwight D. Eisenhower, the ability to hold together a fragile alliance, during the war, and later at NATO.

In terms of vision; I would like to see 5 large stars in relief, each commemorating an element in his career; e.g., West Point, Supreme Commander, Columbia, NATO, President. Perhaps against a granite backdrop from which recordings of his masterful elocution would emerge. 

It any event, I am continuing to follow this with considerable interest and posting about it on Face Book.]]></description>
		<content:encoded><![CDATA[<p>The Gehry Memorial seems an affront; a lordly arrogance. Dwight D. Eisenhower, from everything I read about him would not have tolerated such “hoi palloi”. Equally disagreeable would be a tribute unadorned with those elements that distinguishes “Ike’s” character and career. </p>
<p>As my Face Book posts for several years now will attest, my admiration for Susan Eisenhower is not circumspect; and may well be boundless; however, I do not agree with the concept of campanile bell tower ( albeit the symbolism and the purpose are understandable). </p>
<p>A man of towering strength and steadfast logic and purpose,  President Eisenhower was no St Francis of Assisi, nor perhaps even religious in the conventional sense. His sonorous voice announcing the Normandy invasion, inspiring and disseminating hope is more rhapsodic than any tone emanating from such a contrivance.<br />
No architect I, nor urban planner, but I am impassioned on this issue. There is some contentiousness here, to be sure. Susan’s comments cite perhaps the most incredible of achievements of Dwight D. Eisenhower, the ability to hold together a fragile alliance, during the war, and later at NATO.</p>
<p>In terms of vision; I would like to see 5 large stars in relief, each commemorating an element in his career; e.g., West Point, Supreme Commander, Columbia, NATO, President. Perhaps against a granite backdrop from which recordings of his masterful elocution would emerge. </p>
<p>It any event, I am continuing to follow this with considerable interest and posting about it on Face Book.</p>
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		<title>Comment on The Eisenhower Memorial: Another Front in the Culture Wars? by Yote Ha Oh</title>
		<link>http://susaneisenhower.com/2012/01/24/the-eisenhower-memorial-another-front-in-the-culture-wars/#comment-362</link>
		<dc:creator><![CDATA[Yote Ha Oh]]></dc:creator>
		<pubDate>Tue, 17 Apr 2012 15:49:07 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=390#comment-362</guid>
		<description><![CDATA[Architect and critic Roger K. Lewis has offered yet another on-target analysis of the misguided Gehry Memorial.  See:   http://www.washingtonpost.com/wp-dyn/content/article/2010/04/08/AR2010040806432.html

To me, the problem is neither the style of architecture nor the boy versus man argument.  Nor is it whether this is more of a Gehry Memorial than an Eisenhower Memorial.

Rather, it does not put the right man in the right space, as the memorial easily could and should.  

Ike the general successfully molded Patton, Montgomery, and Bradley, with their disparate and conflicting styles of leadership, into a working relationship that won WWII in the European Theatre.  Ike the president worked out his differences with Roosevelt&#039;s New Deal, Lyndon Johnson&#039;s Democratic Senate, and the military-industrial complex, as he called it.  

The Maryland Avenue space symbolically presents the same problems that Ike faced as general and as president.  The buildings the memorial must deal with are as different as Patton, Montgomery, and Bradley.  The buildings are even more symbolic of the issues Ike dealt with as president:  the Wilbur Cohen Building is the New Deal both in time and name; the LBJ building&#039;s symbolism is eponymous; the NASA museum contains the highest achievements of the military-industrial complex.  

The key to Ike&#039;s success was that he found a way to work with disparate people and conflicting ideologies.  He did not try to repeal the New Deal; he worked with LBJ; and he solidified his place in history with a caution against the excesses of the military industrial complex that only he could deliver.

The Gehry Memorial does not exploit any of this obvious symbolism and in fact completely misses Ike the general and president by neglecting the surrounding buildings.  Ike would never agree to such an affront to LBJ as the Gehry Memorial proposes.

My cholce of memorial would fit into Roger K. Lewis&#039;s plan.  I would create a campanile bell tower that would rise above the other buildings but unify them with a central column.  Bell sounds would reach out in harmony to the buildings and the neighborhood.  The campanile would not necessarily be either traditional or modern, but pick up the best design elements of the neighboring buildings just as Ike was able to make use of the best qualities of the people he dealt with.]]></description>
		<content:encoded><![CDATA[<p>Architect and critic Roger K. Lewis has offered yet another on-target analysis of the misguided Gehry Memorial.  See:   <a href="http://www.washingtonpost.com/wp-dyn/content/article/2010/04/08/AR2010040806432.html" rel="nofollow">http://www.washingtonpost.com/wp-dyn/content/article/2010/04/08/AR2010040806432.html</a></p>
<p>To me, the problem is neither the style of architecture nor the boy versus man argument.  Nor is it whether this is more of a Gehry Memorial than an Eisenhower Memorial.</p>
<p>Rather, it does not put the right man in the right space, as the memorial easily could and should.  </p>
<p>Ike the general successfully molded Patton, Montgomery, and Bradley, with their disparate and conflicting styles of leadership, into a working relationship that won WWII in the European Theatre.  Ike the president worked out his differences with Roosevelt&#8217;s New Deal, Lyndon Johnson&#8217;s Democratic Senate, and the military-industrial complex, as he called it.  </p>
<p>The Maryland Avenue space symbolically presents the same problems that Ike faced as general and as president.  The buildings the memorial must deal with are as different as Patton, Montgomery, and Bradley.  The buildings are even more symbolic of the issues Ike dealt with as president:  the Wilbur Cohen Building is the New Deal both in time and name; the LBJ building&#8217;s symbolism is eponymous; the NASA museum contains the highest achievements of the military-industrial complex.  </p>
<p>The key to Ike&#8217;s success was that he found a way to work with disparate people and conflicting ideologies.  He did not try to repeal the New Deal; he worked with LBJ; and he solidified his place in history with a caution against the excesses of the military industrial complex that only he could deliver.</p>
<p>The Gehry Memorial does not exploit any of this obvious symbolism and in fact completely misses Ike the general and president by neglecting the surrounding buildings.  Ike would never agree to such an affront to LBJ as the Gehry Memorial proposes.</p>
<p>My cholce of memorial would fit into Roger K. Lewis&#8217;s plan.  I would create a campanile bell tower that would rise above the other buildings but unify them with a central column.  Bell sounds would reach out in harmony to the buildings and the neighborhood.  The campanile would not necessarily be either traditional or modern, but pick up the best design elements of the neighboring buildings just as Ike was able to make use of the best qualities of the people he dealt with.</p>
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		<title>Comment on Eisenhower Institute sends Gettysburg College students to West Point conference by Eugene Stevens, SFC, U.S. Army (retired)</title>
		<link>http://susaneisenhower.com/2011/11/15/eisenhower-institute-sends-gettysburg-college-students-to-west-point-conference/#comment-298</link>
		<dc:creator><![CDATA[Eugene Stevens, SFC, U.S. Army (retired)]]></dc:creator>
		<pubDate>Sat, 14 Apr 2012 10:45:58 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=372#comment-298</guid>
		<description><![CDATA[The statue of Ike at West Point (pictured above) is more in keeping with what I would have expected to see in the design of the Eisenhower Memorial in Washington.  He looks exactly like he did when smoking and joking with the paratroopers on the eve of D-Day.  An image that everyone of my era would recognize, unlike the barefoot Kansas farmboy planned for the monument.  I&#039;m not saying that the Washington statue should be a copy of the West Point statue.  But the statue in Washington should mirror the Eisenhower we all grew up knowing and revering.  There&#039;s no one alive who would recognize the Kansas farmboy incarnation of Eisenhower.]]></description>
		<content:encoded><![CDATA[<p>The statue of Ike at West Point (pictured above) is more in keeping with what I would have expected to see in the design of the Eisenhower Memorial in Washington.  He looks exactly like he did when smoking and joking with the paratroopers on the eve of D-Day.  An image that everyone of my era would recognize, unlike the barefoot Kansas farmboy planned for the monument.  I&#8217;m not saying that the Washington statue should be a copy of the West Point statue.  But the statue in Washington should mirror the Eisenhower we all grew up knowing and revering.  There&#8217;s no one alive who would recognize the Kansas farmboy incarnation of Eisenhower.</p>
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		<title>Comment on The Unpredictable Past by Eugene Stevens, SFC, U.S. Army (retired)</title>
		<link>http://susaneisenhower.com/2012/02/29/the-future-is-bright/#comment-207</link>
		<dc:creator><![CDATA[Eugene Stevens, SFC, U.S. Army (retired)]]></dc:creator>
		<pubDate>Tue, 10 Apr 2012 12:22:48 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=551#comment-207</guid>
		<description><![CDATA[I wonder if partisanship isn&#039;t part of the problem here.  The Democrats have built a narrative where they are the defenders of the Civil Rights movement.  Yet here we have Eisenhower, who took the first steps towards desegregating the military in his capacity as General of the Army.  Truman then made it official by Executive Order.  But why did he do it by Executive Order rather than through congressional legislation?  It was because southern Democrats had vowed to block any legislation to integrate the military.  Then as president, Eisenhower enforced school desegregation per Brown vs The Board of Education.  Opposing him and the ruling were two governors, Orville Faubus and George Wallace, both Democrats.  Not exactly the narrative the Democrats want repeated in a memorial to Eisenhower.

Martin Luther King has a full-sized statue on the Mall, as he rightfully should, as the voice of the Civil Rights movement.  But the argument could be made that Dwight Eisenhower did much of the heavy lifting of the Civil Rights movement.  And I wonder if that doesn&#039;t make him an inconvenient truth to the Democrats.  Hence Gehry&#039;s design for the memorial, which while grand in scale, marginalizes the man it is supposed to honor, by portraying him as a small boy.  If the sculptor who made the statue of Martin Luther King had portrayed him as a small, barefoot boy, would the King family or the black community have approved of THAT statue?  No, they&#039;d be outraged!  And rightfully so.  So why treat Ike in that manner?

Now in the interest of full disclosure, I am a conservative (my representative is Aaron Schock, who I&#039;m proud to say has taken on this issue). But I would hate to think that partisanship has a part in the design of Dwight Eisenhower&#039;s memorial.  He deserves better than that.]]></description>
		<content:encoded><![CDATA[<p>I wonder if partisanship isn&#8217;t part of the problem here.  The Democrats have built a narrative where they are the defenders of the Civil Rights movement.  Yet here we have Eisenhower, who took the first steps towards desegregating the military in his capacity as General of the Army.  Truman then made it official by Executive Order.  But why did he do it by Executive Order rather than through congressional legislation?  It was because southern Democrats had vowed to block any legislation to integrate the military.  Then as president, Eisenhower enforced school desegregation per Brown vs The Board of Education.  Opposing him and the ruling were two governors, Orville Faubus and George Wallace, both Democrats.  Not exactly the narrative the Democrats want repeated in a memorial to Eisenhower.</p>
<p>Martin Luther King has a full-sized statue on the Mall, as he rightfully should, as the voice of the Civil Rights movement.  But the argument could be made that Dwight Eisenhower did much of the heavy lifting of the Civil Rights movement.  And I wonder if that doesn&#8217;t make him an inconvenient truth to the Democrats.  Hence Gehry&#8217;s design for the memorial, which while grand in scale, marginalizes the man it is supposed to honor, by portraying him as a small boy.  If the sculptor who made the statue of Martin Luther King had portrayed him as a small, barefoot boy, would the King family or the black community have approved of THAT statue?  No, they&#8217;d be outraged!  And rightfully so.  So why treat Ike in that manner?</p>
<p>Now in the interest of full disclosure, I am a conservative (my representative is Aaron Schock, who I&#8217;m proud to say has taken on this issue). But I would hate to think that partisanship has a part in the design of Dwight Eisenhower&#8217;s memorial.  He deserves better than that.</p>
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		<title>Comment on The Eisenhower Memorial: Another Front in the Culture Wars? by Clark Johnson</title>
		<link>http://susaneisenhower.com/2012/01/24/the-eisenhower-memorial-another-front-in-the-culture-wars/#comment-206</link>
		<dc:creator><![CDATA[Clark Johnson]]></dc:creator>
		<pubDate>Tue, 10 Apr 2012 10:46:04 +0000</pubDate>
		<guid isPermaLink="false">http://susaneisenhower.com/?p=390#comment-206</guid>
		<description><![CDATA[Why not five life size statues to depict the different highlights of The Presidents life.

1. A small boy of ten.

2. Cadet Eisenhower at West Point

3. Lt. Eisenhower in Mexico

4. Gen. Eisenhower in WWII

5. President Eisenhower during  The Cold War


Accompanied by plaques that explains his dreams and/or major achievements at each stage.]]></description>
		<content:encoded><![CDATA[<p>Why not five life size statues to depict the different highlights of The Presidents life.</p>
<p>1. A small boy of ten.</p>
<p>2. Cadet Eisenhower at West Point</p>
<p>3. Lt. Eisenhower in Mexico</p>
<p>4. Gen. Eisenhower in WWII</p>
<p>5. President Eisenhower during  The Cold War</p>
<p>Accompanied by plaques that explains his dreams and/or major achievements at each stage.</p>
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